American Diplomacy

American Diplomacy

Volume III, Number 3, 1998

 

Public Argument and the Study of Foreign Policy

By Thomas Goodnight

Editor's Note: Again American Diplomacy presents a segment of the proceedings of a conference held at Chapel Hill, NC, on January 10, 1998, sponsored by the Triangle Institute for Security Studies (see the journal's Spring 1998 issue for the initial report on the conference). Forty-six area and visiting scholars and foreign affairs professionals attended.

Background to TISS Conference

There has been much discussion in recent years about a so-called "CNN effect." What kind of impact does press coverage have on American foreign policy? Has, for example, press coverage of humanitarian disasters pushed the United States into military intervention? The way in which public opinion, the press, and the foreign policy establishment interact with one another is an issue which has for some time aroused interest among social scientists.

Further, there has been growing debate in the humanities about the nature of some of the assumptions which underlie our discussion of public opinion. What, for example, do we mean when we refer to "the public"? Do opinion polls themselves influence public opinion? How should the public role be conceptualized? How do arguments made in the public sphere influence — or get influenced by — arguments made in the technical sphere? Are there normative notions of good argument?

The conference did not expect to answer all of these questions. It did, however, bring together persons from intellectual communities that examine foreign policy and the public in distinctly, sometimes radically, different ways. A dialogue between scholars and practitioners who operate on very different assumptions revealed new approaches to tough issues and in so doing, likely made future cross- and inter-disciplinary work more feasible and productive.

In this issue we offer Professor Tom Goodnight's paper on communication studies and public argument as he presented it to the conference. His work on "argument spheres" has had a seminal influence on the study of public argument. Dr.Goodnight's focus on how standards for the evaluation of argument change within different contexts, and the way contemporary argument styles place real public discourse at profound risk, has shaped the field over the last decade.

An account of the following roundtable discussions and questions from the floor will appear in the Autumn 1998 issue of American Diplomacy.

The question I was asked to address today is whether "argument studies" can draw rigorous, valid conclusions equally with history and political science in relation to the study of foreign affairs, international politics, and security studies.

My answer is an unequivocal yes and no.

The modern disciplines of history and political science, it seems to me, are further along in conceptualizing models of structure, causes of behavior, and situation variables than are argumentation studies. On the other hand, I believe the study of argumentation is sufficiently robust to make crucial contributions to inquiry, especially in the area of public opinion formation. I hope to show this by advancing a thesis today: what crisis studies were to the Cold War, controversy studies should become to the post Cold War world.

While to some extent argumentation studies is a set of interdisciplinary projects, the field in which I am trained is Communication Studies. Like International Relations, Communication Studies is a modern discipline born after the First World War. Like International Politics, Communication Studies shares a concern for improving the practices of decision making and policies of government. Like studies of the National Interest, Communication Studies joined with psychology and sociology to investigate the illusive concepts of "national character" and the variables of mass persuasion in the interests of perfecting citizenship. Like National Security Studies, our discipline offers a cautionary art that examines collaborative arrangements of influence. And just like all these sister disciplines, our field has been subject to model shifts and paradigm wars — moving through a variety of realist, idealist, behavioral, structural, constructionist waves of experimentation, and ballyhoo.

Communication Studies shares concerns with other modern disciplines, but it also is a somewhat distinct areas of inquiry, too. And argumentation, with its pre-modern and nondisciplinary roots in rhetoric, furnishes a good deal of its distinctiveness. Rhetoric is the active practice of language as gesture, appearance, symbol, persuasion, or vocabulary of motives; traditionally, it has furnished preparation for participation in public life. Rhetorics are developed by paradigms that reflectively interpret representative speeches or debates and by theory, usually drawn from psychology, politics or moral philosophy that systematizes persuasive appeals across people, topics, and situations. In uniting theory and practice, rhetorics are cultural conservators and innovators. A rhetoric can be revisited and its strategies revitalized.

Perhaps the best way to express the difference between rhetoric and modernist views of influence is to contrast a classical paradigm. Thucydides' dialogues may furnish paradigms for the basic problematic of International Relations which explores the tangle of power, perception, and interest. The basic paradigm for argument studies may be Ulysses' speeches in the Iliad which had to provide Achilles necessary and sufficient reasons for action.

After Ulysses "crown'd with wine the foaming bowl" (in the felicitous translation of Alexander Pope), he engages in a performance of communicative reasoning. He offers Achilles three reasons for action: first, the demands of the situation are compelling. "Greece on the brink of fate all doubtful stands, and owns no help but from thy saving hands." Second, if Achilles' public duties are not sufficient, Ulysses offers a roster of heroic bribes including steeds, territory, companions, art objects, and "Ten weighty talents of the purest gold, and twice ten vases of refulgent mould." If neither public duty nor personal interest works, the final argument is to professional reputation — hinting discreetly that vanquishing Hector is the only way to sustain Achilles' claim to prowess of the first rank.

From this exchange, one can find in the performance of communicative reasoning

  1. a situation where the outcome is contingent, that is argument speaks to an occasion that is fraught with constraints and opportunities;
  2. speech acts that motivate by moving to consensus on different levels—public, personal, and professional; and
  3. an art of context construction where more direct reasoning is insufficient.

The lesson also teaches that even the taking into account the situation and its motives, that invention is not always effective. Were Achilles a rational policy maker, the heroic bribes alone would slake an heroic appetite and compel action, but Ulysses is unsuccessful because the bribes are taken as insults as Achilles considers the context — the history of the dispute — and his personal objection is determinative. Note, later on, that the controversy is sustained and when Achilles is motivated to act after the death of Petroclus, Ulysses has the opposite function — to retard precipitous action in the interests of coordinating attack and marshaling victory. In the Iliad, argument has the double role of motivating to action and also of retarding action by fitting means to ends. But the effectiveness and rationality of the reasoning which Ulysses must use to achieve his policy goals is caught up in and bound by the quarrels between and within contending parties.

The classical literature of the Greek period continued to find in its schools of training ambassadors and statesmen the art of rhetoric — finding the optimal means of persuasion amid "dissoi-logoi" or what later the Romans were to call controversy. Over the course of Western culture, concern with the arts of rhetoric and interest in foreign affairs seem to flower together. Thomas Wilson wrote the first rhetoric study in English and served as an Elizabethan ambassador; the Earl of Shaftesbury was a rhetorician and a balance of power theorist. International law and the renewal of rhetoric were double movements. The relationship between changes in foreign policy practices or alterations in strategic doctrine and rhetorical theory appears to be a history yet to be explored fully.

Ironically, it was the failure of the neo-classical revivals in the late nineteenth century to modify or contain the excesses of the first world war that in many respects launched our modern disciplinary pursuits of the study of war and peace in the university. Yet, at the end of the twentieth century I would suggest that we might profitably return to the rhetorical questions of contingency and consensus in controversy precisely because the termination of the Cold War creates challenges to modern views of war and peace.

It is at this point that I would like to develop the core thesis of the paper:

What crisis studies were to the Cold War, controversy studies should become to the post-Cold War context.

To advance this claim I will first argue that our understanding of the basic paradigm of influence and controversy can be altered productively; second, I will examine a few key elements of the Cold War as an argument formation, that is, as a way of generating grammatical, dialectical, and rhetorical discourses; and third, I will speculate on how the end of the Cold War shifts the locus of argumentation from developing expert/theoretical fields to engaging public discussion and debate developing from features of the post-Cold War era.

In short, the post-Cold War world is likely to be increasingly contentious not only due to the absence of parameters within which to define post-war activity, but also due to the successful development of systems-driven institutions which, however powerful, are vulnerable when encountering claims to legitimacy. The Cold War's rhetorical legacy left a public discourse whose bitter and contentious dimensions have become translated to local scenes as a politics by praxis. Finally, the definitions of war and peace, humanitarian intervention and unnecessary risk, force and persuasion, are being blurred through the interpretation of incident and gesture within alternative cultural sites.

How should controversy be studied? Does it follow patterns? Are there specific kinds of controversy? To situate ourselves in the realm of the controversial do we have to demote academic values of prediction and control, precision and scope, in lieu of finding a richer kind of understanding born of reading theory as a kind of argument practice in the making, and the practices of controversy as having more or less explicit theoretical bearing? While it is clear that controversy will increasingly mark the post Cold War world, the theoretical and practical implications of reading and learning from such public, technical, and personal contested actions are clear. Argumentation studies which takes the controversy as one of its prime units of analysis, however, should be able to contribute to history's tracking of the particulars of disputes and social sciences review of the structures of influence. Just as crises offered a pressing, under explored way of uniting case and social theory during the Cold War, so the study of significant controversies are important to the post-Cold War era.


© Copyright 1998 by Thomas Goodnight. All rights reserved.